Sgt. Pepper's Lonely Hearts Club Band - The Beatles



Vinyl L.P · Mono · Parlophone Records · PMC 7027.
1967 · U.K.


Back cover.

Inner gatefold.

Labels.

Cut-outs · Card insert.



The Beatles:


John Lennon: Lead, harmony and background vocals; rhythm, acoustic and lead guitars; Hammond organ, final piano E chord; harmonica, tape loops, sound effects, comb and tissue paper; handclaps, tambourine, maracas, bass guitar (Fixing a Hole).
Paul McCartney: Lead, harmony and background vocals; bass and lead guitars; piano, grand piano, Lowrey and Hammond organs; handclaps; vocalisations, sound effects, comb and tissue paper.
George Harrison: Harmony and background vocals; lead, rhythm and acoustic guitars; sitar, tambura, swarmandal; harmonica, comb and tissue paper; handclaps, tambourine, maracas; lead vocals (Within You Without You).
Ringo Starr: Drums, congas, tambourine, maracas, handclaps, tubular bells; lead vocals (With a Little Help from My Friends); harmonica, comb and tissue paper; final piano E chord.


Other musicians:

George Martin: Tape loops, sound effects; harpsichord (Fixing a Hole), harmonium, Lowrey organ, glockenspiel and Mellotron (Being for the Benefit of Mr. Kite!), Hammond organ (With a Little Help from My Friends), piano (Getting Better), piano solo (Lovely Rita); final harmonium chord.
Mal Evans: Counting, harmonica, alarm clock, final piano E chord.
Neil Aspinall: Tambura, harmonica.
Geoff Emerick: Tape loops, sound effects.
Sounds Inc: Saxophones, trombones and French horn (Good Morning Good Morning).

Session musicians: Four French horns (Sgt. Pepper's Lonely Hearts Club Band): Neill Sanders, James W. Buck, John Burden, Tony Randall, arranged and conducted by Martin and McCartney; harp, performed by Sheila Bromberg, and string section (She's Leaving Home), arranged by Mike Leander and conducted by Martin; tabla by Natwar Soni, dilrubas by Anna Joshi and Amrit Gajjar, and tambura by Buddhadev Kansara (Within You Without You), with eight violins and four cellos arranged and conducted by Harrison and Martin; clarinet trio (When I'm Sixty-Four): Robert Burns, Henry MacKenzie, Frank Reidy, arranged and conducted by Martin and McCartney; saxophones (Good Morning Good Morning), arranged and conducted by Martin and Lennon; and forty-piece orchestra, including strings, brass, woodwinds and percussion (A Day in the Life), arranged by Martin, Lennon and McCartney, and conducted by Martin and McCartney.


Credits:

Producer, mixer: George Martin.
Engineer: Geoff Emerick.
Recorded: 6 December 1966 – 21 April 1967.
Studio: EMI and Regent Sound, London, U.K.

Released: 26 May 1967.



Lyrics:


Sgt. Pepper's Lonely Heart's Club Band.
(Lennon-McCartney)

It was twenty years ago today, 
Sgt. Pepper taught the band to play 
They've been going in and out of style 
But they're guaranteed to raise a smile. 
So may I introduce to you 
The act you've known for all these years, 
Sgt. Pepper's Lonely Hearts Club Band. 

We're Sgt. Pepper's Lonely Hearts Club Band, 
We hope you will enjoy the show, 
We're Sgt. Pepper's Lonely Hearts Club Band, 
Sit back and let the evening go. 
Sgt. Pepper's lonely, Sgt. Pepper's lonely, 
Sgt. Pepper's Lonely Hearts Club Band. 

It's wonderful to be here, 
It's certainly a thrill. 
You're such a lovely audience, 
We'd like to take you home with us, 
We'd love to take you home. 

I don't really want to stop the show, 
But I thought that you might like to know, 
That the singer's going to sing a song, 
And he wants you all to sing along. 
So let me introduce to you 
The one and only Billy Shears 
And Sgt. Pepper's Lonely Hearts Club Band. 
Billy Shears.


With A Little Help From My Friends.
(Lennon-McCartney)

What would you think if I sang out of tune, 
Would you stand up and walk out on me. 
Lend me your ears and I'll sing you a song, 
And I'll try not to sing out of key. 
I get by with a little help from my friends, 
I get high with a little help from my friends, 
Going to try with a little help from my friends. 

What do I do when my love is away. 
(Does it worry you to be alone) 
How do I feel by the end of the day 
(Are you sad because you're on your own) 

No I get by with a little help from my friends... 

Do you need anybody, 
I need somebody to love. 
Could it be anybody 
I want somebody to love. 

Would you believe in a love at first sight, 
Yes I'm certain that it happens all the time. 
What do you see when you turn out the light, 
I can't tell you, but I know it's mine. 
Oh I get by with a little help from my friends... 

Do you need anybody, 
I just need somebody to love, 
Could it be anybody, 
I want somebody to love. 

I get by with a little help from my friends, 
Yes I get by with a little help from my friends, 
With a little help from my friends.


Lucy In The Sky With Diamonds.
(Lennon-McCartney)

Picture yourself in a boat on a river, 
With tangerine trees and marmalade skies 
Somebody calls you, you answer quite slowly, 
A girl with kaleidoscope eyes. 
Cellophane flowers of yellow and green, 
Towering over your head. 
Look for the girl with the sun in her eyes, 
And she's gone. 

Lucy in the sky with diamonds... 

Follow her down to a bridge by a fountain 
Where rocking horse people eat marshmellow pies, 
Everyone smiles as you drift past the flowers, 
That grow so incredibly high. 
Newspaper taxis appear on the shore, 
Waiting to take you away. 
Climb in the back with your head in the clouds, 
And you're gone. 

Lucy in the sky with diamonds... 

Picture yourself on a train in a station, 
With plasticine porters with looking glass ties, 
Suddenly someone is there at the turnstyle, 
The girl with the kaleidoscope eyes. 

Lucy in the Sky with Diamonds...


Getting Better.
(Lennon-McCartney)

It's getting better all the time 
I used to get mad at my school 
The teachers who taught me weren't cool 
You're holding me down, turning me round 
Filling me up with your rules. 

I've got to admit it's getting better 
A little better all the time 
I have to admit it's getting better 
It's getting better since you've been mine. 

Me used to be a angry young man 
Me hiding me head in the sand 
You gave me the word 
I finally heard 
I'm doing the best that I can. 

I've got to admit it's getting better 
I used to be cruel to my woman 
I beat her and kept her apart from the things that she loved 
Man I was mean but I'm changing my scene 
And I'm doing the best that I can. 
I admit it's getting better 
A little better all the time 
Yes I admit it's getting better 
It's getting better since you've been mine.


Fixing A Hole.
(Lennon-McCartney)

I'm fixing a hole where the rain gets in 
And stops my mind from wandering 
Where will it go 
I'm filling the cracks that ran through the door 
And kept my mind from wandering 
Where will it go 

And it really doesn't matter if I'm wrong 
I'm right 
Where I belong I'm right 
Where I belong. 

See the people standing there who disagree and never win 
And wonder why they don't get in my door. 
I'm painting my room in the colourful way 
And when my mind is wandering 
There I will go. 

And it really doesn't matter if 
I'm wrong I'm right 
Where I belong I'm right 
Where I belong. 

Silly people run around they worry me 
And never ask me why they don't get past my door. 
I'm taking the time for a number of things 
That weren't important yesterday 
And I still go. 
I'm fixing a hole where the rain gets in 
And stops my mind from wandering 
Where it will go.


She's Leaving Home.
(Lennon-McCartney)

Wednesday morning at five o'clock as the day begings 
Silently closing her bedroom door 
Leaving the note that she hoped would say more 
She goes downstairs to the kitchen clutching her hankerchief 
Quietly turing the backdoor key 
Stepping outside she is free. 

She (We gave her most of our lives) 
is leaving (Sacraficed most of our lives) 
home (We gave her everything money could buy) 
She's leaving home after living alone 
For so many years. Bye, bye.

Father snores as his wife gets into her dressing gown 
Picks up the letter that's lying there 
Standing alone at the top of the stairs 
She breaks down and cries to her husband 
Daddy our baby's gone. 
Why would she treat us so thoughtlessly 
How could she do this to me. 

She (We never though of ourselves) 
Is leaving (Never a thought for ourselves) 
home (We struggled hard all our lives to get by) 
She's leaving home after living alone 
For so many years (Bye, bye).

Friday morning at nine o'clock she is far away 
Waiting to keep the appointment she made 
Meeting a man from the motor trade. 

She (What did we do that was wrong) 
Is having (We didn't know it was wrong) 
Fun (Fun is the one thing that money can't buy) 
Something inside that was always denied 
For so many years (Bye, Bye) 
She's leaving home (Bye bye).


Being For The Benefit Of Mr. Kite!
(Lennon-McCartney)

For the benefit of Mr. Kite 
There will be a show tonight on trampoline 
The Hendersons will all be there 
Late of Pablo Fanques Fair-what a scene 
Over men and horses hoops and garters 
Lastly through a hogshead of real fire! 
In this way Mr. K. will challenge the world! 

The celebrated Mr. K. 
Performs his feat on Saturday at Bishopsgate 
The Hendersons will dance and sing 
As Mr. Kite flys through the ring don't be late 
Messrs. K and H. assure the public 
Their production will be second to none 
And of course Henry The Horse dances the waltz! 

The band begins at ten to six 
When Mr. K. performs his tricks without a sound 
And Mr. H. will demonstrate 
Ten summersets he'll undertake on solid ground 
Having been some days in preparation 
A splendid time is guaranteed for all 
And tonight Mr. Kite is topping the bill.


Within You Without You.
(Harrison)

We were talking-about the space between us all 
And the people-who hide themselves behind a wall of illusion 
Never glimpse the truth-then it's far too late-when they pass away. 

We were talking-about the love we all could share-when we find it 
To try our best to hold it there-with our love 
With our love-we could save the world-if they only knew. 

Try to realise it's all within yourself 
No-one else can make you change 
And to see you're really only very small, 
And life flows within you and without you. 

We were talking-about the love that's gone so cold and the people, 
Who gain the world and lose their soul- 
They don't know-they can't see-are you one of them? 

When you've seen beyond yourself-then you may find, peace of mind, 
Is waiting there- 
And the time will come when you see 
we're all one, and life flows on within you and without you.


When I'm Sixty-Four.
(Lennon-McCartney)

When I get older losing my hair, 
Many years from now. 
Will you still be sending me a valentine 
Birthday greetings bottle of wine. 
If I'd been out till quarter to three 
Would you lock the door, 
Will you still need me, will you still feed me, 
When I'm sixty-four. 

You'll be older too, 
And it you say the word, 
I could stay with you. 

I could be handy, mending a fuse 
When your lights have gone. 
You can knit a sweater by the fireside 
Sunday mornings go for a ride, 
Doing the garden, digging the weeds, 
Who could ask for more. 
Will you still need me, will you still feed me, 
When I'm sixty-four. 

Every summer we can rent a cottage, 
In the Isle of Wight, if it's not too dear 
We shall scrimp and save 
Grandchildren on your knee 
Vera Chuck & Dave. 

Send me a postcard, drop me a line, 
Stating point of view 
Indicate precisely what you mean to say 
Yours sincerely, wasting away 
Give me your answer, fill in a form 
Mine for evermore 
Will you still need me, will you still feed me, 
When I'm sixty-four.


Lovely Rita.
(Lennon-McCartney)

Lovely Rita meter maid, lovely Rita meter maid. 
Lovely Rita meter maid. 
Nothing can come between us, 
When it gets dark I tow your heart away. 

Standing by a parking meter, 
When I caught a glimpse of Rita, 
Filling in a ticket in her little white book. 

In a cap she looked much older, 
And the bag across her shoulder 
Made her look a little like a military man. 

Lovely Rita meter maid, 
May I inquire discreetly, 
When are you free, 
To take some tea with me. 

Took her out and tried to win her, 
Had a laugh and over dinner, 
Told her I would really like to see her again, 

Got the bill and Rita paid it, 
Took her home I nearly made it, 
Sitting on the sofa with a sister or two. 

Oh, lovely Rita meter maid, 
Where would I be without you, 
Give us a wink and make me think of you.


Good Morning Good Morning.
(Lennon-McCartney)

Nothing to do to save his life call his wife in 
Nothing to say but what a day how's your boy been 
Nothing to do it's up to you 
I've got nothing to say but it's O.K. 
Good morning, good morning... 

Going to work don't want to go feeling low down 
Heading for home you start to roam then you're in town 
Everybody knows there's nothing doing 
Everything is closed it's like a ruin 
Everyone you see is half asleep. 
And you're on your own you're in the street 
Good morning, good morning... 

After a while you start to smile now you feel cool. 
Then you decide to take a walk by the old school. 
Nothing has changed it's still the same 
I've got nothing to say but it's O.K. 
Good morning, good morning... 

People running round it's five o'clock. 
Everywhere in town is getting dark. 
Everyone you see is full of life. 
It's time for tea and meet the wife. 
Somebody needs to know the time, glad that I'm here. 
Watching the skirts you start to flirt now you're in gear. 
Go to a show you hope she goes. 
I've got nothing to say but it's O.K. 
Good morning, good morning...


Sgt. Pepper's Lonely Heart's Club Band (Reprise).
(Lennon-McCartney)

We're Sergeant Pepper's Lonely Hearts Club Band 
We hope you have enjoyed the show 
Sergeant Pepper's Lonely Hearts Club Band 
We're sorry but it's time to go. 
Sergeant Pepper's lonely. 
Sergeant Pepper's lonely. 
Sergeant Pepper's lonely. 
Sergeant Pepper's lonely. 
Sergeant Pepper's Lonely Hearts Club Band 
We'd like to thank you once again 
Sergeant Pepper's one and only Lonely Hearts Club Band 
It's getting very near the end 
Sergeant Pepper's lonely 
Sergeant Pepper's lonely 
Sergeant Pepper's Lonely Hearts Club Band.


A Day In The Life.
(Lennon-McCartney)

I read the news today oh boy
About a lucky man who made the grade
And though the news was rather sad
Well I just had to laugh
I saw the photograph.
He blew his mind out in a car
He didn't notice that the lights had changed
A crowd of people stood and stared
They'd seen his face before
Nobody was really sure
If he was from the House of Lords.

I saw a film today oh boy
The English Army had just won the war
A crowd of people turned away
But I just had to look
Having read the book.
I'd love to turn you on. 

Woke up, fell out of bed,
Dragged a comb across my head
Found my way downstairs and drank a cup,
And looking up I noticed I was late.
Found my coat and grabbed my hat
Made the bus in seconds flat
Found my way upstairs and had a smoke,
And somebody spoke and I went into a dream. 

I read the news today oh boy
Four thousand holes in Blackburn, Lancashire
And though the holes were rather small
They had to count them all
Now they know how many holes it takes to fill the Albert Hall.
I'd love to turn you on...



Promo:

Sgt PEPPERS LONELY HEARTS CLUB BAND
NEW BEATLES LP HERE NOW
EMI Records - Promotional Poster.

Parlophone.


Photos:

Sgt, Pepper · Portrait.

Being for the Benefit of Mr. Kite!
Circus poster reproduction.



Other editions included on this site:


Vinyl:
Compact Disc:
Box Set:

1 comment:


  1. Sgt. Pepper's Lonely Hearts Club Band is the eighth studio album by the English rock band the Beatles. Released on 26 May 1967, Sgt. Pepper is regarded by musicologists as an early concept album that advanced the roles of sound composition, extended form, psychedelic imagery, record sleeves, and the producer in popular music.

    The album had an immediate cross-generational impact and was associated with numerous touchstones of the era's youth culture, such as fashion, drugs, mysticism, and a sense of optimism and empowerment. Critics lauded the album for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and high art, and for reflecting the interests of contemporary youth and the counterculture.

    At the end of August 1966, the Beatles had permanently retired from touring and pursued individual interests for the next three months. During a return flight to London in November, Paul McCartney had an idea for a song involving an Edwardian military band that formed the impetus of the Sgt. Pepper concept. For this project, they continued the technological experimentation marked by their previous album, Revolver, this time without an absolute deadline for completion.

    Sessions began on 24 November at EMI Studios with compositions inspired by the Beatles' youth, but after pressure from EMI, the songs "Strawberry Fields Forever" and "Penny Lane" were released as a double A-side single in February 1967 and left off the LP. The album was then loosely conceptualised as a performance by the fictional Sgt. Pepper band, an idea that was conceived after recording the title track.

    A key work of British psychedelia, Sgt. Pepper is considered one of the first art rock LPs and a progenitor to progressive rock. It incorporates a range of stylistic influences, including vaudeville, circus, music hall, avant-garde, and Western and Indian classical music. With assistance from producer George Martin and engineer Geoff Emerick, many of the recordings were coloured with sound effects and tape manipulation, as exemplified on "Lucy in the Sky with Diamonds", "Being for the Benefit of Mr. Kite!" and "A Day in the Life".

    Recording was completed on 21 April. The cover, which depicts the Beatles posing in front of a tableau of celebrities and historical figures, was designed by the pop artists Peter Blake and Jann Haworth.

    Sgt. Pepper's release was a defining moment in pop culture, heralding the album era and the 1967 Summer of Love, while its reception achieved full cultural legitimisation for popular music and recognition for the medium as a genuine art form.

    The first Beatles album to be released with the same track listing in both the UK and the US, it spent 27 weeks at number one on the Record Retailer chart in the United Kingdom and 15 weeks at number one on the Billboard Top LPs chart in the United States. In 1968, it won four Grammy Awards, including Album of the Year, the first rock LP to receive this honour; in 2003, it was inducted into the National Recording Registry by the Library of Congress for being "culturally, historically, or aesthetically significant".

    It has topped several critics' and listeners' polls for the best album of all time, including those published by Rolling Stone magazine and in the book All Time Top 1000 Albums, and the UK's "Music of the Millennium" poll. More than 32 million copies had been sold worldwide as of 2011. It remains one of the best-selling albums of all time and was still, in 2018, the UK's best-selling studio album. A remixed and expanded edition of the album was released in 2017.

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